Karl Lagerfeld’s cat Choupette makes more money than all of us

Choupette, the cat of the late Chanel designer Karl Lagerfeld lives like a pampered queen, and is worth a small fortune. And now, could be set to inherit even more money.

With her two maids, private jet, bodyguard and private chef – even the subject of a book, Choupette: The Private Life of a High Flying Fashion Cat, which documented her health and beauty tips and how to live your best life (we imagine it does not include cat food out of a can or the simple pleasures of a scratching pole, Choupette prefers the finer things in life) – Choupette is a lives in the lap of luxury.

And, it turns out that her luxe life is really working out for her. According to her proud papa, Karl Lagerfeld, Choupette earned a cool 3 million Euros in 2014. Not for any cat food commercials mind, Choupette is too high class for that. According to Lagerfeld, Choupette’s fat pay packet came from two advertisements she did – one for cars in Germany and another for a Japanese beauty product. Currently, her personal Instagram account has 120,000 followers, tracing her every move around the world.

As Lagerfeld told New York Magazine, “I don’t allow her to do foodstuffs and things like this. She’s too sophisticated for that. She had something unique. She is like a human being, but the good thing is that she’s silent. You don’t have to discuss it.”

Lagerfeld was effusive in his praise for his haughty feline (“she hates other animals and she hates children”), likening her to glamorous movie stars from bygone eras.

“She is the center of the world. If you saw her, you would understand. She is kind of Greta Garbo. There is something unforgettable about her, the way she moves, the way she plays. She’s an inspiration for elegance. For attitude.”

As for how Choupette has changed his life, let Lagerfeld count the ways, “Maybe I became a better person perhaps, I don’t know. Less selfish, I guess? I think it’s grotesque, but what can you do? I believe in the unique. This is not just something to keep me company. It’s only great because of the uniqueness of her.”

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“Currently, (Daddy) Lagerfeld seems happiest in the company of his six-year-old, white-coated Birman cat, Choupette, a “divine,” pampered creature whom the designer wishes, he has said, he could marry.” – @vfvanities 😽 Read the full @vanityfair article via #vfvanities bio link dahhhlings!

A post shared by Choupette Lagerfeld (@choupettesdiary) on

Lagerfeld told CNN of his enduring love for Choupette in 2013: “There is no marriage, yet, for human beings and animals… I never thought I would fall in love like this with a cat.”

As the fashion world mourns Lagerfeld, his beloved Choupette is one of a number who could be set to inherit his £150million fortune, along with his model godson, the Daily Mail reports.

Five minutes with Jørgen Simonsen

How did you get to where you are today?

By extremely hard, focused and dedicated work, luck/timing/destiny and hopefully a nice bit of talent thrown in for good measure as well.

What do you enjoy the most about your job?

The first steps in the creative process – where everything is still up in the air, just before a great idea born in your mind, heart and gut takes shape from 2-D to 3-D.

What do you do for Specsavers?

I design the Osiris and sunglass collection which is stocked exclusively at Specsavers.

Tell us about the new Osiris collection?

It is a cosmopolitan take on eyewear classics – with an utterly modern twist. An ode to the millimetre precision, that is spectacle making and (hopefully) an alluring, fetching and captivating collection of fresh 21st century eyewear for people, who are bold, brave and beautiful and not afraid to make a statement whilst wearing glasses.

Where did you get your inspiration for the new range?

The collection is called Folkloric Fetish – and it is an eclectic mix of the actual literal definition of the word fetish – the borderline obsessive amount of attention given to an inanimate object. This is only my second collection for Osiris, and during my work on the first collection, I learned such a tremendous lot about this field, that I wanted to pay homage to the fact, that this design process is so millimetre driven – 0,3 cm does count! Something I can very easily relate to from the world of Haute Couture. Proportion is everything in fashion. And especially so, if it sits on our main feature, the face. All mixed with various folkloric elements: everything from the proud traditional regional folk dress of the frosted moors and the deep fjords of Scandinavia, over the impossible O.T.T glam of ’20s, ’30s and ’40s Hollywood royalty to the empowering testosterone fuelled re-embroidered colour clashed noble and ceremonial dress of the toreadors from the deep warm sun-kissed arenas of Sevilla in southern Spain.

What are your favourite frames?

For this particular collection, I am very fond of the ones I call “a pair of glasses within a pair of glasses”. They are made from under heated flamed platinum coloured sheet metal treated with acid to create a beautiful patina of an almost antique gold hue. This frame is then embedded in crystal clear resin to give you the effect, of a pair of glasses “so precious, they are exposed in a glass case”. Each pair is actually different, albeit the all-over uniform look – so we are actually offering the Osiris customer a totally unique pair of glasses – something I am thrilled about, as it resonates so well with my “day-job” as a couturier.

What is your top style tip when choosing glasses?

Have fun with your glasses and live the dream! Dare to be different! Just do it!

Who is your style icon?

Diana Vreeland.

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