The Australian Interior Design Awards

Open to all Australian-based designers, the Australian Interior Design Awards promote the value of interior design and recognise the work of both established and emerging practices.

Two awards streams are offered in parallel – for Australian Interior Design and for Interior Design Impact. The former includes categories for retail design, hospitality design, workplace design, public design, installation design, residential design and residential decoration, sustainability advancement and emerging interior design practice. These culminate in Best of State Awards and the Premier Award for Australian Interior Design.

The latter, the Award for Interior Design Impact, recognises the transformative effect that design can have on a building’s occupants and the wider community. Previous projects awarded in this category include residential development The Commons, by Breathe Architecture (Melbourne), Queensland Museum Refurbishment by Cox Rayner Architects (Brisbane) and Ravenswood School for Girls, Mabel Fielder Building, by BVN (Sydney).

Shortlisted projects will be announced on Friday 31 March, with the full list of award recipients to be announced at the gala presentation to be held at the Glasshouse in Melbourne on Friday 9 June.

Outdoor Elegance

As a child, Louise Andreasen would help her mother pack up all the furniture in their home to be exhibited at trade shows for her father’s company. She loved attending the fairs and never 
had any doubt she would work in the family business: Sika Designs in Rynkeby, Denmark. It’s a family furniture company, of which Louise is now third generation, that creates light, elegant indoor and outdoor furniture made from rattan. “My grandfather’s home was full of rattan, so for me it was something that 
I have grown up with, and I loved it because of that. Rattan is a romantic style, which is my style.” Her grandfather Anjaer Andreasen started the company in 1942 during World War II, creating small designs to sell to shops. “He was an entrepreneur,” Louise says.

Rattan is a climbing palm, with a woody flexible stem, found nearly exclusively in Asia. When governments started to ban its export in 
the 1970s, Anjaer made the pioneering move to travel to Malaysia – 
though he didn’t speak a word of the language – to set up a Sika factory right where the material grew and where the locals are skilled at working with it. Their amazing techniques, from cutting, steaming and weaving, are remarkably free of machinery and mean the construction process has barely changed in more than 50 years. Lightweight but durable, it’s ideal for outdoor furniture. “You won’t find a more sustainable material; it doesn’t exist. It’s so natural,” says Louise. Comparable to a weed, ratttan is fast-growing and absorbs CO2, which it transforms into clean air.


Her grandfather may have been the ideas man, but her father Knud is the businessman, and Louise’s love of traditional décor meant joining the business was a natural step. “My style has not changed much over the years. I like natural products. I like antiques. I like things with history.” Bringing in the new while maintaining their tradition is vital, she says. “New designs we bring in are a mixture of designs that I make and designs that were made by important designers more than 50 years ago.”

From the newer designs, one of Louise’s favourites, currently in her garden, is the Hanging Egg Chair, from the Icons collection. From their Originals collection she loves the best-selling Rossini dining chair, which 
is more than 20 years old and exemplifies why Danish designs are so renowned: light materials and timeless styles look as if they could have been designed today. Louise has also just bought a small interior decorating company, Cozy Room, where she’ll be using Sika Designs in her collection. And if you wonder how father and daughter work together, Louise says, “It’s fantastic. Amazingly uncomplicated!”