Models strode a runway erected above an octagonal pond dotted with waterlillies in Paris’ Tuileries gardens, echoing the designer’s inspiration for elements of the new ready-to-wear collection.
Though floral motifs were present in the fluted hems, blooming brooches and heels decorated with water lilies, the collection did not feel repetitive, nor lean too literally on a garden theme.
Instead, the parade of designs seemed to echo the lives of the cities’ residents as they move about outdoors in the cooler months.
“This collection is about the constant flow of ideas that is so typical of Parisian life, and the spectacle of the everyday,“ Anderson said of the presentation.
As fashion fans, we have often witnessed stylish guests photographed strolling across the Tuileries gardens to attend Paris Fashion Week shows over the years. The eyes of the world are on each person – and their outfits – as the images quickly go global on social media and fashion websites.
Reports said Anderson may have considered Seurat’s famous 19th-century painting, A Sunday Afternoon on the Island of La Grande Jatte, featuring Parisians promenading on the banks of the River Seine.
Both of these ‘see and be seen,’ moments seem to come together in the new presentation, as did elements of those Parisian’s garments.
Monet too, looks to be an obvious reference given the location and that both artists mentioned, created their work en plein air.
An elegant combination of styles from couture-worthy beading to buttoned-up bar jackets and jeans – both plain and crystal-adorned – are testament to Anderson’s skill for surprising contrast in ways that feel fresh.
Making sure to underline the storied French house’s technical skill were the abundance of fine fabrications, manipulated with draping and finished with delicate lace, sparkles, frills and edged tulle.
In challenging times there was plenty of joy and romance that will no doubt appeal to Dior’s customers. However, given it was a collection for the cooler months, adequate weight in robe-shaped coats and tailored separates prevented the collection from floating away.
Of course accessories are crucial to any luxury label and there was plenty to be excited about. Handbags included a continuation of chic styles previously introduced, such as the elegant Cigale bag in a smaller iteration as well as new bags in a variety of finishes and surprising textures.
As Anderson’s fifth show for the house and his second for women’s ready-to-wear, the momentum of the designer’s vision is clearly picking up.
See the collection:
Photos / Dior
