Five minutes with: Sebastien Tardiff

MiNDFOOD: What does your role involve?

I look after Korea, China, Japan, New Zealand and Australia. I also participate in Fashion Week in Bangkok every season, where all the best artists join me for 20 shows in four days. I also touch base at New York Fashion Week. I train managers and make-up artists.

What inspired you to become a make-up artist?

I studied fine arts at university but I wanted more contact with people. One day I looked at my paintings, which were all portraits, and 
I considered the two things 
I loved: portraits and fashion. Then, boom, it dawned on me: I would become a make-up artist. So instead of interpreting a face on a canvas, I now use the human face as my canvas.

What is it like working with Bobbi Brown?

Bobbi is a great person to work with. She’s a great listener and she takes inspiration from what women really want in the way of make-up. Bobbi Brown is all about providing the tools, techniques and knowledge about how to apply the make-up. It’s all very well for something to look pretty, but you need to know what to do with it.

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Aaron De Mey

Make-up artist Aaron 
De Mey is arguably the most successful name in fashion and beauty to emerge from New Zealand. Born in the North Island and now a big name in New York, De Mey was recently appointed artistic make-up director for beauty brand Lancôme Paris 
– a testament to his glittering presence 
on the global fashion stage.

Looking back, De Mey’s journey 
from Tauranga, on the North Island, to New York Fashion Week and beyond has been punctuated with many notable milestones and names.

Past clients and colleagues include photographers Bruce Weber, Patrick Demarchelier, Mario Sorrenti, Craig McDean, Arthur Elgort, Steven Klein and Peter Lindbergh; models Kate Moss, Gisele Bündchen and Naomi Campbell; designers Miuccia Prada and Hedi Slimane; stylist Edward Enninful; and editor-in-chief of the French edition of Vogue, Carine Roitfeld.

De Mey’s creative journey began when he was a student at Whitecliffe College of Arts and Design in Auckland. He embraced a love of painting, and this passion became integral to his work as a make-up artist. In the mid-90s, De Mey began working within the embryonic New Zealand fashion industry.

“All the good stylists and make-up artists in New Zealand tended to work in film or on television shows,” De Mey says.

However, he credits the diversity of that fledgling local industry as an ideal foundation for the years he spent overseas: “Working on music videos, editorial shoots with people such as Prime Minister Helen Clark for the cover of NZ Style, and fashion editorials for magazines such as Pavement was invaluable. Those diverse experiences in make-up prepared me for the competitive fashion industries in New York and Paris.”

Having achieved as much as he felt 
he could in New Zealand, in 1997 De Mey left for New York, aiming to specialise in high fashion. Friend and model Trish Goff soon introduced De Mey to make-up magnate François Nars, which led to his appointment on Nars’ make-up team 
for the New York Fashion Week shows.

It was De Mey’s launch onto the international stage.

Nars, who had just released his eponymous make-up brand and was at the top of his game, introduced De Mey to award-winning stylist Patti Wilson, who, in turn, brought him to the attention of Edward Enninful, fashion director of i-D magazine.

That fateful meeting resulted in De Mey’s big break as make-up artist for the December 1997 cover of i-D, which featured Naomi Campbell.

Within two years of arriving in the US, De Mey had become a highly regarded fashion editorial make-up artist and had garnered considerable runway experience as part of the Nars team.

Fashion label Comme des Garçons soon came knocking, intrigued by 
De Mey’s original ideas and obvious 
skill. The Comme des Garçons Fall 2000 
Ready To Wear Collection show became another career landmark for the young New Zealander.

De Mey’s ability to reference, conceptualise and design a look is perhaps his greatest strength and it has led to nearly a decade of outstanding symbiotic collaborations.

His latest, with Lancôme Paris, could be his greatest yet. De Mey sees his role as building upon the existing class and strength of the already formidable brand.

“I want to push the teams [and] implement new techniques and ways to apply make-up,” he says. 
“I hope to excite everybody at Lancôme and everybody who loves the brand.”

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